Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings brings together nearly 60 elaborate vessels of animal shape from collections in the United States and Europe. While the songs, speeches, and prayers that enlivened ancient feasts are now largely lost to us, these vessels have survived, offering a glimpse into the rich symbolism and communal practices that found expression at these gatherings. Taking animal-shaped vessels as performative props in the multifaceted world of feasting, the exhibition not only introduces the social and ceremonial functions of these ritual occasions, but also highlights the essential and universal role played by food and drink—and by the highly imaginative containers used to enjoy these refreshments.
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| Vessel in the form of a hump-backed bull, 1350–1000 BCE, Iran [Credit: © Ashmolean Museum of Art and Archaeology] |
Assembling such a range of vessels for the first time, the exhibition presents a cross-cultural and cross-disciplinary examination of how they spanned geography and time, across three continents and over three millennia. The international menagerie of drinking and pouring vessels vividly illustrates not just how shapes and artistic forms crossed borders, but how ideas as well were exchanged among cultures—tangible evidence of close contact and the intermingling of traditions.
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| Beaker with the forepart of a crested and winged lion, Iran, 6th century BCE [Credit: © The Metropolitan Museum of Art] |
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| Silver Rhyton with the forepart of a ram, Achaemenid period, Early to mid 5th century BCE [Credit: © The Metropolitan Museum of Art] |
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| Stag-Shaped Drinking Horn (1st century BC–1st century AD), Parthian [Credit: Getty’s Open Content Program] |
Each object in the exhibition is a compelling animal study in itself, with a wealth of information embedded in its material, shape, and decoration. Many were made of rare or innovative materials—including gold, silver, bronze, glass, faience, and horn—and at the hands of skilled artists. They conveyed important information about their liquid contents and the nature of a gathering, but were also markers of social stature, identity, etiquette, and shared values.
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| Donkey head kantharos depicting Dionysos and his entourage, Greek Archaic period, 520-500 BCE [Credit: © British Museum] |
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| Eagle head mug. Attributed to Douris, Greek, Attic, 490–470 BCE. Terracotta, red-figure technique. From Capua (Italy) [Credit: © British Museum] |
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| Deer head rhyton (c. 350 BC), Bulgaria [Credit: © National Archaeological Institute with Museum at the Bulgarian Academy of Sciences, Sofia] |
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| Footed rhyton with horned head, Roman Imperial period, 1st-2nd century CE [Credit: © British Museum] |
Select animal-shaped vessels from other cultures and periods—including East Asia, Africa, Europe, and South America—provide further points of comparison. In addition to the vessels, the exhibition features several related objects (paintings and sculpture) with ancient and modern representations of feasts.
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| Octagonal cup with the forepart of a lion, Chinese, Sui or Tang dynasty, 7th century CE. Porcelain [Credit: © British Museum] |
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| Double-vessel monkey (14th-15th century), ChimĂș, Peru [Credit: Harvard Art Museums] |
The exhibition, curated by Susanne Ebbinghaus, the George M.A. Hanfmann Curator of Ancient Art and head of the Division of Asian and Mediterranean Art at the Harvard Art Museums, is accompanied by a full catalogue edited by Ebbinghaus.
Crucial support for the Animal-Shaped Vessels project has been made possible in part by a major grant from the National Endowment for the Humanities: Exploring the Human Endeavor. In addition, the Harvard Art Museums are deeply grateful to the anonymous donor of a gift in memory of Melvin R. Seiden and to Malcolm H. Wiener (Harvard A.B. ’57, J.D. ’63) and Michael and Helen Lehmann for enabling us to mount this exhibition and to pursue the related research.
This work was also made possible in part by the following endowed funds: the David M. Robinson Fund; the Andrew W. Mellon Publication Funds, including the Henry P. McIlhenny Fund; and the M. Victor Leventritt Fund, which brings outstanding scholars of the history and theory of art to the Harvard and Greater Boston communities through the generosity of the wife, children, and friends of the late M. Victor Leventritt, Harvard Class of 1935.
The exhibition, Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings, will be on view September 7, 2018–January 6, 2019.
Source: Harvard Art Museums [August 20, 2018]
















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