Theme images by kelvinjay. Powered by Blogger.

USA

AFRICA

ASIA

Brazil

Portugal

United Kingdom

Switzerland

Melting Mongolian ice patches may threaten reindeer pastoralism, archaeological artefacts


Northern Mongolian "eternal ice" is melting for the first time in memory, threatening the traditional reindeer-herding lifestyle and exposing fragile cultural artifacts to the elements, according to a study published in the open-access journal PLOS ONE by William Taylor from the Max Planck Institute, Germany, and the University of Colorado-Boulder, USA, and colleagues.

Melting Mongolian ice patches may threaten reindeer pastoralism, archaeological artefacts
This is a domestic reindeer saddled for riding outside a Tsaatan summer camp in Khuvsgul province,
 northern Mongolia [Credit: Julia Clark]
The mountainous tundra of the northern Mongolian steppes features "munkh mus" or "eternal ice", ice patches which remain intact even in the summer. For the reindeer-herding Tsaatan people, they provide a place for heat-stressed reindeer to cool down, as well as fresh water, useful plants, and a reprieve from summer insects for herders and reindeer alike.


The authors of the present study visited the Ulaan Taiga Special Protected Area of Mongolia to investigate the potential for cultural artifacts in the ice. They conducted an archaeological survey on foot and on horseback, and also held ethnographic interviews with eight local families over 2018.

Melting Mongolian ice patches may threaten reindeer pastoralism, archaeological artefacts
(Left): Image of a persistent snow and ice patch in Mengebulag taken in 2006, showing domestic reindeer using the
 patch, and (right): the same patch in 2018, which local residents indicated had melted for the very first time
[Credit: Taylor et al, 2019]
The families interviewed described how many ice patches had melted for the first time in memory between 2016 and 2018, while stressing the importance of eternal ice for reindeer and herding families alike. Many herders complained that recent declines in pasture quality had led to reindeer sickness and death.


The archaeological survey revealed a number of wooden artifacts at one melted ice patch site which dated from the 1960s, when herders moved into the area - the first discovered artifacts from this region. Organic materials are preserved in ice but degrade rapidly upon exposure to the elements, meaning that melting ice could affect the archaeological record.

Melting Mongolian ice patches may threaten reindeer pastoralism, archaeological artefacts
A domesticated reindeer from northern Mongolia
[Credit: O. Batchuluun]
As Mongolia continues to warm at a higher rate than the global average, the authors note that the eternal ice appears to be melting due to the increasing summer temperatures--and stress this puts both cultural heritage and traditional reindeer herding at extreme risk in the years to come.

The authors add: "This study shows us that global climate change is an urgent threat in Inner Asia - melting ice is threatening both reindeer herding as a way of life, and the region's cultural heritage."

Source: Public Library of Science [November 20, 2019]

European police bust gang looting artifacts in Italy


European police have busted an international crime gang involved in trafficking tens of thousands of Greek archaeological artefacts looted from illegal excavations in Italy, law enforcement agencies said Monday.

European police bust gang looting artifacts in Italy
Credit: Carabinieri TPC
Police from Italy, Britain, France, Germany and Serbia arrested 23 suspects and carried out 103 searches in the investigation that started in 2017, the EU police agency Europol and Eurojust said.


The gang used bulldozers and metal detectors to loot objects as old as 400 BC from the Calabria region -- the "toe" of Italy -- before selling them across Europe.

"Illegal excavations were managed by a well-structured organised crime group... led by two Calabrians" living in the southern province of Crotone, the agencies said in a combined statement.

European police bust gang looting artifacts in Italy
Credit: Europol
In Calabria "the cultural heritage includes important traces from the Greek and Roman period", Europol said.


Italian media said two Calabrian men aged 59 and 30 were arrested.

The gang also included "fences, intermediaries and mules operating out of different Italian regions" with the looted artefacts then going through contacts in Dijon, Munich, London and Vrsac in northeastern Serbia.

European police bust gang looting artifacts in Italy
Credit: Carabinieri TPC
Some of the stolen objects is said to date as far back as the fourth and third centuries B.C. and include five terracotta vases and oil lamps, plates depicting animal scenes, brooches and various jewels, Italian media reports said.


The looters used bulldozers to dig craters, before sifting through the earth and passing it through metal detectors, the reports added, quoting police sources.

"The looting carried out over the course of several years caused considerable damage to Italian cultural heritage," Europol and Eurojust added.

European police bust gang looting artifacts in Italy
Credit: Europol
Coordination between the two agencies enabled "arrests, searches and seizures immediately and simultaneously in the five countries," they added.

Italian and Swiss police in 2016 recovered a haul of archaeological artefacts stolen from Italy and stored by a notorious British antiquities dealer.

The haul, worth nine million euros ($10 million), was discovered in 2014 in a storage unit at the Geneva Freeport rented by Britain's disgraced Robin Symes, a giant in the illegal antiquities trade with ties to Italian tomb raiders.

At the time it was regarded as one of the most important recoveries of the last few decades.

Source: AFP [November 19, 2019]

Horse-head statue looted by Anglo-French allied forces during Second Opium War in 1860 repatriated to China


A bronze horse head will be returned to the Old Summer Palace, or "Yuanmingyuan" in Chinese, according to China's National Cultural Heritage Administration (NCHA).

Horse-head statue looted by Anglo-French allied forces during Second Opium War in 1860 repatriated to China
The horse-head statue is among the 12 statues of Chinese Zodiac signs looted from the royal garden of 
Old Summer Palace in Beijing by Anglo-French allied forces during the Second Opium War in 1860
[Credit: China Daily]


It is the first repatriated animal head that will be housed at its original location, the Old Summer Palace.

Twelve animal head sculptures once formed a zodiac water clock in Beijing's Yuanmingyuan, built by Emperor Qianlong (1736-1795). The originals were looted from the royal garden by Anglo-French allied forces during the Second Opium War in 1860.

The horse head, designed by Italian artist Giuseppe Castiglione and crafted by royal craftsmen, is an artistic blend of East and West.

Horse-head statue looted by Anglo-French allied forces during Second Opium War in 1860 repatriated to China
Seven animal-head statues (the horse-head is second from right) that have returned to Beijing
are juxtaposed at the National Museum of China [Credit: Wang Kaihao/China Daily]


Macao billionaire Stanley Ho bought the bronze horse head in 2007 at auction and publicly displayed it in Hong Kong and Macao for many years. Ho decided to donate it to the NCHA and return it to its original palace home this month.

Through the efforts of Chinese government authorities and social forces, seven of the 12 lost sculptures have been brought back home by different means, while five remain missing.

The horse head sculpture will also join the ongoing exhibition at the national museum which runs through late November, along with the six other retrieved animal heads and returned relics.

Source: Xinhua News Agency [November 14, 2019]

Ancient cup given to first marathon victor returned to Greece


An ancient Greek cup awarded as a prize to the marathon winner in the first modern Olympics of 1896 has been returned to Athens from a German university.

Ancient cup given to first marathon victor returned to Greece
An ancient Greek drinking cup decorated with runners, which was one of the awards presented to Spyros Louis,
the Greek winner of the Marathon in the 1896 first modern Olympic Games in Athens, is seen at the
National Archaeological Museum in Athens [Credit: Petros Giannakouris/AP]
Greece's Culture Ministry said Wednesday that the 6th century B.C. pottery vessel was considered lost for decades until research in 2014 by archaeologist Giorgos Kavvadias identified it in the University of Muenster's collections.

A ministry statement said it was proved "beyond any doubt" that the two-handled wine cup painted with ancient runners was the one given to Spiros Louis, the Greek marathon victor in the 1896.


Following correspondence with Greek officials, the university agreed to return the cup, which was part of a private German collection it had bought in 1986. The statement said the collection had been put together by Werner Peek, a scholar of Greek and historian who lived in Athens during the 1930s. But it was unclear how the cup ended up in Peek's hands.

The vessel was presented at a ceremony at the National Archaeological Museum in Athens, where it will be exhibited for the next three months before being put on permanent display at a museum in Ancient Olympia, birthplace and venue of the ancient Games.

Louis, a humble water carrier with no training in running, won enduring fame in Greece for his unexpected victory on home turf in the marathon, seen as the most Greek of Olympic disciplines. He was presented with a silver cup and a silver medal—both of which are in Greece—as well as the drinking cup.

Source: Associated Press [November 13, 2019]

Venice on its knees as floods devastate city


Venice was in a state of crisis on Wednesday due to huge flooding after the high-water mark reached 187cm late on Tuesday, the highest level since the record 1966 flood.

Venice on its knees as floods devastate city
Credit: ANSA/AP


"Venice is on its knees," Venice Mayor Luigi Brugnaro said via Twitter. "St Mark's Basilica has suffered serious damage, like the whole city and the islands... We need everyone's help to get through the next few days that are putting us to the test.". A 78-year-old man was electrocuted due a short circuit, apparently linked to the flooding, at his home on the island of Pellestrina.

Another person also died during the flooding on the lagoon island, although in his case it may have been natural causes.

Venice on its knees as floods devastate city
Credit: ANSA/AP
There is massive damage. Brugnaro estimated that the cost ran into several hundred million euros. Three barges sank, while gondolas and other boats were stripped from their moorings. A fire broke our at the Ca' Pesaro museum because of an electrical malfunction.

Brugnaro said the council was asking central government to declare the city to be in a state of emergency and told local people and businesses to collect photographic and video evidence of the damage suffered for compensation claims. "We are faced with total, apocalyptic devastation," Veneto Governor Luca Zaia told Mediaset television.

Venice on its knees as floods devastate city
Credit: ANSA/AP


"I'm not exaggerating; 80% of the city is under water, the damage is unimaginable". Premier Giuseppe Conte is due to arrive in the city to assess the situation on Wednesday and Zaia said he would stay the night. Infrastructure Paola De Micheli is heading to Venice too.

President Sergio Mattarella called Brugnaro and Raffaello De Ruggieri, the mayor 2019 European Culture Capital Matera, which was badly hit by flooding on Tuesday.

Venice on its knees as floods devastate city
Credit: ANSA/AP
Venice's La Fenice has been temporarily put out of action too. Although the theatre itself is not flooded, water has entered an auxiliary area affecting the electrical and fire-prevention systems.

Pierpaolo Campostrini, a member of St. Mark's management board, said things could have been even worse for the cathedral.

Venice on its knees as floods devastate city
Credit: ANSA/AP


"We came within a whisker of the apocalypse," he said. "The water got into the basilica, it flooded the floor, broke windows and entered the crypt. It is dangerous, not so much because of what is contained in there, but because the water could have caused problems for the columns that hold up the basilica".


The devastation has led to controversy about the fact that the MOSE flood barrier system, which has been hit by delays and a corruption scandal, is still not operative. Environment Minister Sergio Costa linked the situation to the climate crisis.

The acqua alta came down to around 144cm on Wednesday after Tuesday's peak.

Source: ANSA [November 13, 2019]

British Museum set to return ancient Greek statue looted from Libya


London’s British Museum is set to return a looted ancient Greek statue of the goddess Persephone to Libya which is estimated to be worth £1.5m.

British Museum set to return ancient Greek statue looted from Libya
Statue of Persephone dating from 3rd century BC to be returned from the UK to Libya
[Credit: Middle East Eye]
According to Al-Wasat newspaper, Mohammed al-Kouni, the Libyan charge d’affaires, visited the British Museum along with his delegation on Thursday to see the artefact and make arrangements for its return.

Libya's cultural heritage has been under threat from looting in the turbulent years that have followed the 2011 uprising against longtime autocrat Muammar Gaddafi.

The ancient Greek statue currently in the British Museum's possession was taken from a world heritage site in Shahhat in 2012.


The piece was illegally excavated from a grave in the ruins of Cyrene, an important Hellenic city located in the north of what is now Libya, and then subsequently smuggled into the United Kingdom.

The four-foot marble relic is of a hooded woman believed to be a representation of the queen of the underworld, Persephone.

The statue dates from the third or fourth century BC, and Dr Peter Higgs, a curator of Greek sculpture at the British Museum, described it as “one of the best examples of its type and … extremely rare”.


A 2015 ruling by Judge John Zani ruled that the statue, which was in the possession of Jordanian national Riad al-Qassas, had been “misdeclared” on arrival to the UK as border officials believed it was worth £72,000 and originally Turkish.

The artefact was discovered in a west London warehouse by customs officials, before being handed to the British Museum as the court ruled on its ownership.

Qassas was ordered to pay £50,000 costs in the 2015 ruling. Meanwhile, a claim from Emirati businessman Hassan Fazeli that the statue had been in his family since 1977 was waved away.

The return is part of a drive by the Libyan Antiquities Authority to repatriate stolen goods, a process that can take many years to see fruition.


There are currently five UNESCO world heritage sites in Libya that are classified by the United Nations as endangered: Ghadames, Cyrene, Tadrart Acacus, Leptis Magna and Sabratha.

Though the North African country boasts several archaelological sites and centuries of cultural history, some regions of Libya have not yet archived or documented many of their excavated artefacts.

This has left it difficult to assess how many ancient artefacts have been looted since 2011, though it is estimated that some 8,000 ancient coins and small artefacts have been lost.

In early October, the United States returned a Libyan statue known as the “Head of a Veiled Woman” following an 11-year investigation.

Author: Haneen Shlebak | Source: Middle East Eye [November 12, 2019]

British Museum is 'world’s largest receiver of stolen goods', says leading human rights lawyer


An outspoken human rights lawyer in a new book is calling for European and US institutions to return treasures taken from subjugated peoples by “conquerors or colonial masters.”

British Museum is 'world’s largest receiver of stolen goods", says leading human rights lawyer
Section of the Parthenon frieze helf by the British Museum
[Credit : PHAS/Universal Images Group, Getty]
In the new book by Geoffrey Robertson AO QC, the British Museum is accused of exhibiting “pilfered cultural property” and urged to ‘wash its hands of blood and return Elgin’s loot’.

“The trustees of the British Museum have become the world’s largest receivers of stolen property, and the great majority of their loot is not even on public display,” Robertson charges.

His views appear in the book, “Who Owns History? Elgin’s Loot and the Case for Returning Plundered Treasure.”


Along with a distinguished career as a trial lawyer, human rights advocate and United Nations judge, Robertson has appeared in many celebrated trials, defending Salman Rushdie and Julian Assange, prosecuting Hastings Banda and representing Human Rights Watch in the proceedings against General Pinochet.

In his just released book, he scores the British Museum for allowing an unofficial “stolen goods tour”, “which stops at the Elgin marbles, Hoa Hakananai’a, the Benin bronzes and other pilfered cultural property”. The three items he mentioned are wanted by Greece, Easter Island and Nigeria respectively.

“That these rebel itineraries are allowed is a tribute to the tolerance of this great institution, which would be even greater if it washed its hands of the blood and returned Elgin’s loot,” he wrote.

British Museum is 'world’s largest receiver of stolen goods", says leading human rights lawyer

He accused the museum of telling “a string of carefully-constructed lies and half- truths” about how the marbles “were ‘saved’ or ‘salvaged’ or ‘rescued’ by Lord Elgin, who came into possession of them lawfully.”

He criticized “encyclopedic museums” such as the British Museum, the Louvre in Paris and the Metropolitan in New York that “lock up the precious legacy of other lands, stolen from their people by wars of aggression, theft and duplicity”.


“This is a time for humility,” he observed, “something the British, still yearning for the era when they ruled the world do not do very well. Before it releases any of its share of other people’s cultural heritage, the British Museum could mount an exhibition – ‘The Spoils of Empire’.”

Advocating the return of cultural property based on human rights law principles, Robertson observes that the French president, Emmanuel Macron has “galvanized the debate” by declaring that “African cultural heritage can no longer remain a prisoner of European museums”.

“Politicians may make more or less sincere apologies for the crimes of their former empires, but the only way now available to redress them is to return the spoils of the rape of Egypt and China and the destruction of African and Asian and South American societies,” he writes.

“We cannot right historical wrongs – but we can no longer, without shame, profit from them.”

Author: Lisa Vives | Source: Global Information Network [November 06, 2019]

A sea strewn with shipwrecks


If one had to imagine a sea strewn with shipwrecks, one would not have to go very far. "One has only to consider that in the region of Fournoi alone we have located 58 such shipwrecks" says head of the Ephorate of Underwater Antiquities Pari Kalamara to the Athens and Macedonia News Agency. But how many of these can be visited?

A sea strewn with shipwrecks
View of the shipwreck in Peristera, Alonnisos [Credit: Ephorate of Underwater Antiquities]
The last big bet made by the service she runs is precisely in regards to this matter of accessibility. Creating the so called "underwater museums" where visitors will be able to scuba dive to enjoy one of the most mysterious chapters of history may soon become a reality. How did these ships go down and under what circumstances? Were they war or trading ships? What do the findings have to say about their identity?

The first museum that will open as a pilot scheme next summer is that of Peristera in the North Sporades and the three in the Pagasetic Gulf. However, for one to arrive at such a finished shipwreck as to be considered an archaeological wonder or ,even with a degree of exaggeration, as the "Parthenon of the deep", one has to go back to 2005 when recreational scuba diving was first made legitimate. "It is then that the concept is mentioned of archaeological diving parks and the possibility of creating underwater museums" says Pari Kalamara to the AMNA. "Till that moment recreational scuba diving was forbidden", she adds.

Since becoming Head of the Ephorate of Underwater Antiquities in February 2018, she herself only recently began her first scuba diving. "When we talk of underwater sites open to visitors, we are talking about average depths, i.e. up to thirty metres", she points out. This was not the only term however. The law stipulated that no private diving could take place without the presence of an archaeologist or antiquities keeper.


After 2005 at least another eight years had to pass to determine which underwater sites can be visited. These sites were determined since 2012 until 2015, while this year, four more shipwrecks were rated as accessible.

"We have a group of eight shipwrecks in the Pagasetic Gulf and the Alonnisos region, a second group of seven shipwrecks between Lavrion and Makronisos and a third in Methoni Messinia, where one of them is the historically charged site of the Naval Battle of Navarino. These three regions can be made accessible to visitors", said Ms Kalamara to the AMNA.

A visit however is not that simple. There is still a lot to be done; from the bollards for mooring visitors’ crafts, to the staff required to accompany them. In the meantime, one can let his/her imagination run free when looking at the digital map where the archaeologist scuba divers have placed the shipwreck sites: the Telegraphos, Glaros and Kikynthos in the Pagasetic Gulf. The Peristera, Tselios, Aghios Petros, Faggrou and Skantzoura in the Northern Sporades.

In all these cases, the sunken ships borrowed their names from the geographic locations. But to what era do all these shipwrecks belong? "To all eras", replies Ms Kalamara. "We have shipwrecks even from Prehistoric times and of course from the Classical, Late Roman, Byzantine and also far more recent".


The safest guide for placing a ship in its correct period is its cargo. The Peristera shipwreck is a true archaeological wonder precisely because it has a rare collection of amphorae that, according to Pari Kalamara, transported wine, oil or preserved goods. The same evidence is also given by the route taken by the ship before it ended up on the seabed.

Ms Kalamara also tells the AMNA that every sunken ship or aircraft becomes a monument after 50 years on the seabed, so warships from the two world wars are considered monuments, as are commercial or passenger ships that became a watery grave for those travelling on them.

Many of these ships are submerged at much greater depths that are prohibitive for any diver. For those again that have been designated as suitable for visiting, some underwater coordination will be necessary, starting from the underwater route and including the safety of visitors. Once underwater, one finds an archaeological treasure of amphorae, jars, pots, columns, sarcophagi and other objects, among which a special place is held by anchors. One of the most well known shipwrecks lies in Cretan waters. "La Therese" has been resting there since the 17th century. "Canons are the basic evidence of warships belonging to that time", Pari Kalamara tells the AMNA.


If one had to accurately describe the Ephorate of Underwater Antiquities, one would say it is a service of archaeologist scuba divers. George Koutsouflakis is one of the most experienced. He has been a diver since he was 16 and was drawn to the science of Archaeology precisely via the underwater world. "My first contact with shipwrecks was a revelation", he says to the AMNA. "A shipwreck is many things. It is a place of tragedy but also a place of memory. It is in a spot that is not friendly to human beings; if not even hostile at times. You have the sense of adventure, History and the rare opportunity of looking at something rarely seen", he adds.

Nevertheless, it was the dream of a life time to be able to visit underwater museums even as a scuba diver archaeologist himself who has dived almost all over Greece. "The wealth is incredible and to think that we have mapped only 5% of it", he says. But can there be an even greater number of well preserved shipwrecks such as that of Peristera, where the arrangement of the thousands of amphorae goes as far as revealing even that the ship was 25 metres long? "No doubt about it" he replies. "But they are most probably at much greater depths".

Meanwhile, the Peristera underwater museum is preparing to open in a few months. Till then you can visit the information centre at Alonnisos. There, you are given a pair of spectacles that take you down into the magic world of shipwrecks by a 3D representation application. This virtual diving is the first taste of a reality that soon will come about.

Source: ANA-MPA [trsl. Arts & Archaeology, October 31, 2019]

New technique reveals lost splendours of Herculaneum art


One of the best preserved Roman houses at Herculaneum reopened on Wednesday after more than 30 years, its exquisite paintings brought back to life thanks to a revolutionary new technique.

New technique reveals lost splendours of Herculaneum art
Herculaneum is much better preserved than its neighbour Pompeii
[Credit: Andreas Solaro/AFP]
The three-storey House of the Bicentenary is perhaps the most beautiful noble house so far excavated from under the pyroclastic flow that entombed Herculaneum in the devastating 79 AD eruption of Mount Vesuvius that also destroyed nearby Pompeii.


Although much smaller than its better known neighbour outside the southern Italian city Naples, Herculaneum was a wealthier town with more exquisite architecture, much of which is still to be uncovered.

Herculaneum was buried under at least 15 metres (almost 50 foot) of rock, much more than the around four metres of ash at Pompeii, which for years made Herculaneum less attractive to looters and archaeologists alike.

New technique reveals lost splendours of Herculaneum art
The archaeological site of Herculaneum in Ercolano was buried under
at least 15 metresof rock [Credit: Andreas Solaro/AFP]
The Bicentenary house, which also features stunning mosaics, gets its name from the fact that it was re-discovered in 1938, exactly 200 years after official excavations began at the site under the Bourbon monarchy.


The 600-square-metre (6,400-square-feet) building was closed to the public in 1983 as it began to fall apart, including its priceless wall paintings in the Tablinum, the room traditionally used by the father of the house for business and to receive clients.

Conservators focused on two large mythological scenes, one of Venus and Mars and one of Daedalus and Pasiphae, and paintings of a variety of other Dionysian themes common to the homes of Herculaneum's wealthy inhabitants.

New technique reveals lost splendours of Herculaneum art
The House of the Bicentenary was closed to the public in 1983 as it began to fall apart
[Credit: Andreas Solaro/AFP]
"The reason we chose this room to study and conserve is because the wall paintings here are some of the most beautiful at the site, but also some of the most severely deteriorated," said Leslie Rainer, wall painting conservator from the Getty Conservation Institute.


Black and white photos of the paintings from 1938 show remarkably well-preserved images, but they had almost disappeared before the latest restoration work began.

"The wall paintings are so significant that it was a terrible shame to see them so deteriorated and not to have solutions for how to conserve them properly," Rainer told AFP.

New technique reveals lost splendours of Herculaneum art
Wax was applied to the artworks to try to preserve them but it was a misguided practice
[Credit: Andreas Solaro/AFP]
The house became a laboratory for finding "new innovative treatment methods and materials that can be used here but also applied around the site and in the region for wall paintings that have similar conservation issues," said Rainer.


Not only was the room left exposed to the elements after it was excavated, but wax was applied to the paintings in a well-meaning but ultimately misguided attempt to preserve them.

"The combination of the dramatic environmental fluctuations with the wax covering the wall paintings led them to be pulled up and so they were flaking and powdering, so we had to find solutions."

New technique reveals lost splendours of Herculaneum art
Conservators have found a new method to remove the wax layer while still preserving the paint
[Credit: Andreas Solaro/AFP]
After experimenting with different methods to try to preserve the paint and also remove the wax, a non-organic rigid gel solution was found and "we were able to actually remove that wax layer and have a stable paint layer underneath," Rainer said.

The wax method was used widely throughout the region and threatens the survival of many of the artworks it was meant to protect, but the experts working on the Bicentenary House hope this technique can be used to save them once its details are published.

"We hope that professionals can use this method for wall paintings that show similar issues around the whole region," said Rainer, as conservators apply vivid colours to the newly revealed surfaces around her.

Author: Charles Onians | Source: AFP [October 24, 2019]

US ambassador returns to Italy a statue stolen in 1968


The U.S. ambassador to Italy has returned to Italian officials the head of a statue stolen from an archaeological site in Rome in 1968.

US ambassador returns to Italy a statue stolen in 1968
Credit: Carabinieri dei Beni Culturali
Ambassador Lewis Eisenberg handed over the marble head of the mythical figure Pan to Culture Minister Dario Franceschini Thursday on the 50th anniversary of a Carabinieri unit dedicated to the recovery of cultural artifacts.

Carabinieri special investigators spotted the marble head in a California auction catalog in 2016 and notified their U.S. counterparts.


U.S. attache Armando Astorga said the piece entered the United States in the mid-2000s, after spending many years in private hands in Europe.

So far, the investigation has not determined the original thief.

U.S. Homeland Security Investigations has repatriated some 12,000 items to over 35 countries since 2007.

Source: The Associated Press [October 24, 2019]

2200-year-old stupa crumbles due to rain


Much to the dismay of archaeologists, historians and heritage conservationists in the city, the 2nd BC main stupa at Thotlakonda Buddhist monastery site crumbled partially on Wednesday, unable to withstand the heavy downpour.

2200-year-old stupa crumbles due to rain
Credit: The Hindu
“This is our heritage, as the site flourished from 2nd Century BC to almost 2nd Century AD, and every Vizagiite was proud of the monument,” said heritage conservationist Rani Sarma.

Thotlakonda Buddhist Complex is located about 15 km from Vizag and is perched on a hill at about 420 feet above sea level, overlooking the picturesque Bay of Bengal. It is one of the major tourist attractions in the city.

The site was discovered in 1976 by a naval helicopter pilot during a sortie. After excavations, Andhra Pradesh State Archaeology Department concluded that it was a major Hinayana Buddhist monastery complex, which had links with Sri Lanka, countries in the far East and even the Roman empire.


The Buddhist site had undergone major renovation and reconstruction in 2016 before the International Fleet Review. Though the work was taken up by the State Archaeological Department, heritage conservationists cried foul.

According to them the work was not done scientifically and they said that it was more of modern day renovation rather than restoration and conservation, as done in heritage sites.

There were cracks on the stupas then and they were filled up but it was not done as per the norms, said heritage enthusiast Edward Paul.

Going by the initial assessment, it is understood that rain water would have seeped into the structure through the cracks and brought it down.

Source: The Hindu [October 24, 2019]

Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin


Salvage work on the historic shipwreck of "Mentor" off Kythira island in southern Greece, which carried off sculpture from the Acropolis and Athens by order of British Lord Elgin, wrapped up another season recently with small finds including sections of the sail pulleys, the ministry of culture said on Tuesday.

Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin
General view of the wreck and the site of the excavation
[Credit: G. Isaris]


The brig sank after crashing into rocks out of the port of Avlemon in September 1802, carrying 17 boxes of antiquities from various monuments of Athens including the Acropolis, removed by Lord Elgin and his workers, who retrieved all boxes soon after Mentor sank.

Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin
Clearing the ship's hull [Credit: G. Isaris]
Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin
View of Section 1/2019 from the west [Credit: A. Tourtas]
Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin
Photomosaic of the excavation site [Credit: G. Isaris]


This year's underwater excavations (Aug. 27-Sept. 15) included a 12-member team directed by archaeologist Dimitris Kourkoumelis of the Underwater Antiquities Department. Work focused on cleaning away the surviving section of the hull, and photos were stitched together to provide a view of the entire area and the wreck's state. Some of the ship's parts were spread over the area by the efforts of the crew to raise the boxes with the antiquities.

Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin
Intact earthen cookware after removal and cleaning
[P. Vezyrtzis]
Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin
Gold ring [P. Vezyrtzis]
Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin
Pair of gold earrings [P. Vezyrtzis]


Findings included a cooking vessel, a gold ring with intricate flower depictions, a pair of gold earrings, fragments of a pair of calipers, a fragment of an ancient Rhodian amphora handle with a seal impression with the inscription "Antimachou" ("belonging to Antimachos"), three chess pieces (added to four found at previous excavation seasons), various items of bone or wood, and at least ten pulleys and accessories, some of them still preserving the sail-securing ropes.

Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin
Section of wooden compass [P. Vezyrtzis]
Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin
Wooden pulley [P. Vezyrtzis]
Dig season wraps up for 'Mentor', the brig carrying Acropolis antiquities looted by Elgin
Removing a pulley disc to the surface [Credit: G. Isaris]
Besides archaeologists, the dig team included marine biologists, conservators, divers, technicians specializing in marine environments and craftsmen. The 2019 season was supported by the ministry of culture, the Ilios Shipping Company, and Stathis Trifyllis.

Source: ANA-MPA [October 15, 2019]

Oxyrhynchus papyri sold by renowned professor to Hobby Lobby


A number of ancient papyri from Oxyrhynchus, part of the Egypt Exploration Society’s collection, have been identified as part of the lot allegedly offered for sale by Professor Dirk Obbink to the American chain Hobby Lobby. The Society has issued a statement on the matter.

Oxyrhynchus papyri sold by renowned professor to Hobby Lobby
The ancient texts, which date from the 3rd to the 7th Century, are part of the Oxyrhynchus collection
discovered in an Egyptian rubbish dump in 1890 [Credit: The Egypt Exploration Society]
“On 25 June 2019 the Egypt Exploration Society (EES) posted a statement on its website that it was working with the Museum of the Bible (MOTB) to clarify whether any texts from the EES Oxyrhynchus collection had been sold or offered for sale to Hobby Lobby or its agents, and if so, when and by whom. This was in response to the online publication by Dr Brent Nongbri, following its release by Professor Michael Holmes of the MOTB, of a redacted copy of a contract of 17 January 2013 between Professor Dirk Obbink and Hobby Lobby Stores for the sale of six items to Hobby Lobby, including four New Testament fragments probably of EES provenance. This statement reports our findings to date.


“With the help of photographs provided by the MOTB, the EES has so far identified thirteen texts from its collection, twelve on papyrus and one on parchment, all with biblical or related content, which are currently held by the MOTB (see the attached list). These texts were taken without authorisation from the EES, and in most of the thirteen cases the catalogue card and photograph are also missing. Fortunately, the EES has back-up records which enable us to identify missing unpublished texts. For clarity, we note that the four texts specified in the handwritten list made public alongside the 2013 contract, which are probably the texts of that contract, remain in the EES collection, and two have been published as P.Oxy. LXXXIII 5345 and 5346.

“The Board of Trustees of the MOTB has accepted the EES claim to ownership of the thirteen pieces identified to date, and is arranging to return them to the EES. The EES is grateful to the MOTB for its co-operation, and has agreed that the research on these texts by scholars under the auspices of the MOTB will receive appropriate recognition when the texts are published in the Oxyrhynchus Papyri series.

Oxyrhynchus papyri sold by renowned professor to Hobby Lobby
Professor Dirk Obbink has been accused of selling the precious artefacts to Steve Green,
who spent $500,000 opening the museum in 2017 [Credit: The Telegraph]
“The MOTB has informed the EES that 11 of these pieces came into its care after being sold to Hobby Lobby Stores by Professor Obbink, most of them in two batches in 2010. In August 2016 the EES did not re-appoint Professor Obbink as a General Editor of the Oxyrhynchus Papyri primarily because of unsatisfactory discharge of his editorial duties, but also because of concerns, which he did not allay, about his alleged involvement in the marketing of ancient texts, especially the Sappho text. In June 2019 the EES banned him from any access to its collection pending his satisfactory clarification of the 2013 contract. Oxford University is now investigating, with EES help, the removal from University premises and alleged sale of EES texts.

“The EES is also pursuing identification and recovery of other texts, or parts of texts, which have or may have been illicitly removed from its collection. Systematic checking of the EES collection will be a long process because of its size. Meanwhile, our primary aim remains the authoritative publication for public benefit of the texts of all types in our collection.

“We cannot comment here on any broader legal issues arising from these findings, except to note that they are under consideration by all the institutions concerned."

Source: Egyptian Exploration Society [October 14, 2019]

MKG Hamburg returns 12th-century marble panel to Afghanistan


On the 8th of October, the Museum fur Kunst und Gewerbe Hamburg officially returned a marble dado panel to the Islamic Republic of Afghanistan. Mr. Abdul Jabar Ariyaee, Charge d’Affaires at the Afghan Embassy in Berlin, came to Hamburg to receive the panel from the museum. MKG is one of the first German museums to return a work of art to Afghanistan. Beyond investigating Nazi art looting and the issue of colonial collections, the museum has been increasingly turning its attention to more recent acquisitions as well.

MKG Hamburg returns 12th-century marble panel to Afghanistan
Marble panel from the Royal Palace of Mas’ud III in Ghazni
[Credit: © MKG/Joachim Hiltmann]
The restitution of the panel is the result of research carried out on its provenance and represents yet a further example of the responsibility borne by museums and the international art trade for how objects from illicit excavations are handled. The marble dado panel once belonged to a 78-part frieze dating to the twelfth century that adorned the inner courtyard of the Royal Palace of Sultan Mas’ud III in the town of Ghazni, Afghanistan. In the late 1970s, it was stolen from Ghazni’s Rawza Museum of Islamic Art.

Now, after years of research, assisted by scholars from the University of Hamburg and the Sapienza Universita di Roma, as well as close cooperation between German and Afghan authorities, the panel can finally be handed back to its rightful owners. For the time being it will be kept in the Afghan National Museum in Kabul. MKG reached out to the director, Mohammad Fahim Rahimi, to help resolve the issue of the panel. Since November 2018, the MKG is displaying the marble panel in its permanent exhibition Looted Art? Provenance Research on the Collections of the MKG: The panel is presented already half-packed in a transport box set, ready to be returned. In volume 4 of its “Looted Art?” series, the MKG summarizes the research conducted on the history of the panel’s loss and acquisition.


MKG originally purchased the marble panel in good faith at a Paris auction in 2013. The provenance was not a cause of concern at first, but upon closer study it turned out that the object had in fact been stolen from the Rawza Museum of Islamic Art in Ghazni. It was possible to trace the dado panel to excavations carried out by archeologists from Afghanistan and Italy between 1957 and 1966. The archeological finds were handed over at the time to the Rawza Museum, where they were documented as new accessions. The later destabilization of Afghanistan in 1978 and the invasion by the Soviet Army in 1979 led to the museum’s collections being transported off site for safekeeping. During this relocation, the panel now in the possession of MKG was apparently stolen or moved elsewhere, and showed up on the Paris art market in the early 1990s. Many international museums have objects from Afghanistan that come from the same excavations in Ghazni.

Dr. Carsten Brosda, Senator for Culture and Media, Hamburg: “For far too long, our eyes have been closed to the true provenance of cultural goods. On a variety of levels, we are therefore currently tackling the important task of investigating the origins of the objects in our collections and, if necessary, arranging for their restitution. One result of this crucial change of consciousness and the intensive provenance research being done at many museums is that the historic marble panel acquired by MKG can now be returned to Afghanistan. I thank MKG for taking a critical look at its own collection. With the restitution to Afghanistan, the people living there will again have access to this object, which is part of their cultural heritage.”


Prof. Tulga Beyerle, Director of MKG: “I consider the fact that a museum, in this case the Museum fur Kunst und Gewerbe Hamburg, is publicly acknowledging its mistakes to be an important step. My predecessor, Dr. Sabine Schulze, has thus set a new standard in dealing with looted art. For it is not only a matter of careful provenance research and the potential restitution of art objects that have long been in the museum’s holdings, but also a question of being willing to rectify errors made in recent acquisitions as well.”

Mohammad Fahim Rahimi, Director of the Afghan National Museum in Kabul: “Thousands of movable artifacts have been stolen from both Ghazni and the National Museum of Afghanistan, in particular the white marble panels from the palace of Mas’ud III. We are looking forward to having the dado panel from Hamburg back in our collection soon, and I would like to express my gratitude to MKG for supporting its return. At the same time, I appeal to other museums and private collections to help us retrieve other art objects stolen from Afghanistan.”

MKG has been working on the restitution of the panel since 2014, assisted by Germany’s cultural property authority (Kulturgutschutz Deutschland) and the German Foreign Office. In the summer of 2018, an initial meeting took place between the museum, representatives from the Afghan Embassy in Berlin, and the German authorities. MKG is now the first German museum to return an object to Afghanistan. Back in 2006, the Musee Guimet in Paris already restored pieces to the Afghan National Museum. And in July 2019, the British Museum announced that it would give back Buddha sculptures that were presumably introduced into the art trade by the Taliban and confiscated at a London airport in 2002.

Source: Museum fur Kunst und Gewerbe Hamburg [October 08, 2019]

Libya retrieves stolen bust from the US


The US Department of Homeland Security is to return to the Libyan authorities the head of an archaeological marble statue that was smuggled illegally to the United States, the Libyan Foreign Ministry said.

Libya retrieves stolen bust from the US
Credit: The Libya Observer


"The step comes in implementation of the memorandum of understanding signed between the two countries at the beginning of 2018 on the imposition of import restrictions on antiquities, cultural, and historical property of Libya," the Foreign Ministry explained.

The Director of the Department of International Cooperation at the Ministry of Foreign Affairs, Jamal Barq, clarified that the head will be handed over to the Libyan Embassy in Washington, to be later returned to its historical location in Libya.

Source: The Libya Observer [October 02, 2019]