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New study on early human fire acquisition squelches debate


Fire starting is a skill that many modern humans struggle with in the absence of a lighter or matches. The earliest humans likely harvested fire from natural sources, yet when our ancestors learned the skills to set fire at will, they had newfound protection, a means of cooking, light to work by, and warmth at their fingertips.

New study on early human fire acquisition squelches debate
Credit: Getty Images
Just when this momentous acquisition of knowledge occurred has been a hotly debated topic for archaeologists.

Now, a team of University of Connecticut researchers, working with colleagues from Armenia, the U.K., and Spain, has found compelling evidence that early humans such as Neanderthals not only controlled fire, but also mastered the ability to generate it.

"Fire was presumed to be the domain of Homo sapiens but now we know that other ancient humans like Neanderthals could create it," says co-author Daniel Adler, associate professor in anthropology. "So perhaps we are not so special after all."

Their work, published in Scientific Reports, pairs archaeological, hydrocarbon and isotope evidence of human interactions with fire, with what the climate was like tens of thousands of years ago.


Using specific fire-related molecules deposited in the archaeological record and an analysis of climatological clues, the researchers examined Lusakert Cave 1 in the Armenian Highlands.

"Fire starting is a skill that has to be learned -- I never saw anyone who managed to produce fire without first being taught. So the assumption that someone has the capability to set fire at will is a source of debate," says Gideon Hartman, associate professor of anthropology, and study co-author.

The research team looked at sediment samples to determine the abundance of polycyclic aromatic hydrocarbons (PAHs), which are released when organic material is burned.

One type of PAH called light PAHs, disperse widely and are indicative of wildfires while others, called heavy PAHs, disperse narrowly and remain much closer to the source of fire.

"Looking at the markers for fires that are locally made, we start to see other human activity correlating with more evidence of locally-made fire," says lead author Alex Brittingham, a UConn doctoral student in anthropology.


Evidence of increased human occupation at the site, such as concentrations of animal bones from meals and evidence of tool making, correlated with increased fire frequency and the increased frequency of heavy PAHs.

Researchers also needed to rule out the possibility that unsettled weather, which gives rise to lightning, had ignited the fires.

To do so, they analyzed hydrogen and carbon isotope composition of the waxy cuticles of ancient plant tissues preserved in sediments. The distribution of these leaf waxes indicate what kind of climate the plants grew in.

They could not find any evidence of a link between overall paleoclimatic conditions and the geochemical record of fire, says Michael Hren, study author and associate professor of geosciences.

"In order to routinely access naturally caused fires, there would need to have been conditions that would produce lighting strikes at a relative frequency that could have ignited wildfires," says Hren.


By pairing the climate data with the evidence found in the archaeological record, the researchers then determined the cave's inhabitants were not living in drier, wildfire-prone conditions while they were utilizing fires within the cave.

In fact, there were fewer wildfires for these ancient humans to harvest at the time when fire frequency and heavy PAH frequency was high in the cave, says Brittingham.

"It seems they were able to control fire outside of the natural availability of wildfires," says Brittingham.

Brittingham is now applying the same research techniques to analyze other caves occupied by early humans. He is currently working with a team in Georgia, among other locations, to determine whether fire was developed independently by groups in different geographic areas.

"Was it something that people in Armenia could do but people in France could not do? Was it developed independently?," asks Brittingham.

Author: Elaina Hancock | Source: University of Connecticut [October 25, 2019]

Archaeological team excavates at one of the major fortress-settlements in the Armenian Highlands


A team of researchers and students from HKU unearthed huge storage jars, animal bones and fortress walls from 3,000 years ago in Armenia as they initiated the Ararat Plain Southeast Archaeological Project (APSAP) during the summer of 2019.

Archaeological team excavates at one of the major fortress-settlements in the Armenian Highlands
This drone photograph faces northwest over the Vedi Fortress site. Cliffs surround and protect much of the site,
with two lines of fortress walls protecting the western approach to the citadel
[Credit: The University of Hong Kong]
APSAP is a collaborative research project between HKU and the Institute of Archaeology and Ethnography of the Republic of Armenia's National Academy of Sciences. Dr. Peter J. Cobb, assistant professor in the Faculties of Education and Arts, directs the project in collaboration with Artur Petrosyan and Boris Gasparyan of the Armenian Institute. The Institute's Hayk Azizbekyan helped coordinate all aspects of the project.


The project, expected to last for at least five years, aims at understanding human life and mobility in the ancient landscapes of the Near East. It investigates the area around Vedi, Armenia, at the southeast edge of the wide and fertile Ararat Plain.

This area has been a contact point between Turkey, Iran (Persia) and Russia over the past few centuries. It has always been an important transportation node, including on the famous Silk Road. Today, Armenia is one of the countries on the Belt and Road initiative.

Archaeological team excavates at one of the major fortress-settlements in the Armenian Highlands
Two HKU students uncover the collapsed top of an ancient wall at the Vedi Fortress,
with the mountains of the Vedi River valley visible in the background
[Credit: The University of Hong Kong]
"The Vedi river valley has formed an important transportation corridor throughout history and we want to understand how people lived in and moved through this landscape in the past," said Dr Cobb.


HKU is one of the first universities from East Asia to help lead a major archaeological excavation in the Near East, a region traditionally receiving foreign research attention from only European and North American institutions. The international team this summer consisted of 15 researchers and students from Armenia, mainland China, Hong Kong, Turkey, and the United States.

The main focus was a major excavation at a site in the middle of the valley called the Vedi Fortress. The site preserves huge ruined fortification walls up to four meters high, with a central rectangular defensive tower. Two long series of fortification walls protected an inner "keep" of a citadel. The walls date to the Late Bronze and Iron Ages of 1500-500 BC. The site has been reused multiple times, including during the Medieval period of 800 years ago.

Archaeological team excavates at one of the major fortress-settlements in the Armenian Highlands
Dr. Cobb excavates and examines a bone
[Credit: Yadian Wang]
The research team dug three trenches on the site, making exciting finds of huge storage jars, walls of buildings, and a variety of fascinating artifacts including animal bones discarded from meals.


Undergraduate History major Ivi Fung said: "When I was identifying a pottery fragment in the sieve, I imagined what Bronze Age people put into the potteries; when I was surprised by a large skeleton of an animal head, I imagined how they got their food; when I brushed the stone wall, I imagined whom they were defending against."

Her professor, Dr Cobb, added: "Archaeology allows us to learn about the daily life of humans in this region as we study everyday items like the bowls and cups used during meals. The trip also provided chances for HKU students to have new experiences and adventures. As one example, some HKU students had never climbed a tree before, but they had an opportunity in this rural part of the world."

Archaeological team excavates at one of the major fortress-settlements in the Armenian Highlands
Ancient pottery sherds found at the site
[Credit: Yadian Wang]
Students from HKU and other universities visited the site from late May to late July and worked together with Armenian archaeologists. They hiked to discover new sites, excavated some of them, and studied the ancient pottery and other objects found at the sites.

Source: The University of Hong Kong [September 10, 2019]

Armenian and Polish archaeologists uncover burial site in Metsamor


Armenian and Polish archaeologists have resumed excavations in the territory of Metsamor archaeological site since August 31. The works are implemented in the scope of the agreement between Armenian “Centre of Protection of Historical Environment and Cultural Museum-Reservations” NCSO and Warsaw’s institute of Archaeology.

Armenian and Polish archaeologists uncover burial site in Metsamor
Credit: Armenian-Polish Archaeological Mission Metsamor


As the Centre of Protection of Historical Environment NCSO reported, the current excavations are focused on the archeological layers of urban area to the north of Metsamor citadel dating from as early as eleventh-eighth centuries BC. to the first-third centuries AD.




As the co-head of the Armenian-Polish expedition professor Ashot Piliposyan who also acts as the deputy in the field of scientific activities, and the Director of the Institute of Archaeology from Warsaw University Christoph Yakubian informed the guests that the excavation of the urban areas of the site have uncovered a man’s burial site dated to the second/third century AD and another of a child along with other items that can spread light on the significance and the role of the area and come up with new accurate conclusions.

'Pot' burial discovered in Armenia's Tigranakert


A 'pot' burial was unearthed during the archaeological excavation at the ancient Armenian town of Tigranakert, in the Republic of Artsakh (Nagorno-Karabakh Republic/NKR), Hamlet Petrosyan, head of the Tigranakert archaeological expedition told Armenian News.

'Pot' burial discovered in Armenia's Tigranakert
Credit: Armenian News
He added that even in 2010-2012 unique 'pot' burials dating back to the 1st century BC, were discovered during archaeological excavations at Karabakh’s Tigranakert.

'Pot' burial discovered in Armenia's Tigranakert
Credit: Armenian News
This year it was decided to continue excavations of 'pot' burials, which brought interesting results.

'Pot' burial discovered in Armenia's Tigranakert
Credit: Armenian News
According to Petrosyan, jewellery (earrings, rings, etc.) made from silver, copper and other materials, weapons, as well as ancient coins, were found during the excavations.

'Pot' burial discovered in Armenia's Tigranakert
Credit: Armenian News
One of the interesting finds was a 'pot' burial in which a man and a woman were buried together.

Source: Armenian News [August 03, 2018]

'Armenia!' at The Metropolitan Museum of Art, NY


The exhibition Armenia!, currently on show at The Metropolitan Museum of Art, explores the arts and culture of the Armenians from their conversion to Christianity in the early fourth century through their leading role on international trade routes in the 17th century. The exhibition emphasizes how Armenians developed a distinctive national identity in their homeland at the base of Mt. Ararat (widely accepted as the resting place of Noah’s Ark) and how they maintained and transformed their traditions as their communities expanded across the globe.

'Armenia!' at The Metropolitan Museum of Art, NY

More than 140 opulent gilded reliquaries, richly illuminated manuscripts, rare textiles, liturgical furnishings made of precious materials, khachkars (cross stones), church models, and printed books demonstrate Armenia’s distinctive imagery in their homeland and other major Armenian sites, from the Kingdom of Cilicia on the Mediterranean to New Julfa, in Safavid Persia. Select comparative works display Armenian interaction with other cultures.

'Armenia!' at The Metropolitan Museum of Art, NY
Altar frontal, 1741. New Julfa, Mother See of Holy Etchmiadzin, Armenia
[Credit: Hrair Hawk Khatcherian and Lilit Khachatryan]
'Armenia!' at The Metropolitan Museum of Art, NY
Fragmentary capital, 5th–7th century. History Museum of Armenia, Yerevan
[Credit: Hrair Hawk Khatcherian and Lilit Khachatryan]
'Armenia!' at The Metropolitan Museum of Art, NY
Reliquary of the Holy Lance, 1687. Kanaker (?); replica of the Holy Lance, Mother See of Holy
Etchmiadzin, Armenia [Credit: Hrair Hawk Khatcherian and Lilit Khachatryan]
Major Armenian repositories of their culture provide almost all the works in the exhibition. Most are on view in the United States for the first time; many have not travelled for centuries.

'Armenia!' at The Metropolitan Museum of Art, NY
Bas-relief of Amir Hasan hunting on horseback, early 14th century. Church of the White Virgin
(Spitakavor Astuatsatsin), Monastery of Spitakavor, Siwnik'. History Museum of Armenia,
Yerevan [Credit: Hrair Hawk Khatcherian and Lilit Khachatryan]
'Armenia!' at The Metropolitan Museum of Art, NY
Capital, 5th century, found near Yereruyk Cathedral [Credit: Hrair Hawk Khatcherian and Lilit Khachatryan]
'Armenia!' at The Metropolitan Museum of Art, NY
Processional or Altar Cross, 11th–12th century, with later additions, made in Aparan
[Credit: Hrair Hawk Khatcherian and Lilit Khachatryan]
Armenia! focuses on major Armenian centers of production from their homeland west and east, with emphasis on images of Armenians, from self-portraits to depictions of male and female rulers, donors, theologians, and historians. Special attention is given to works by major artists such as T'oros Roslin, Sargis Pidzak, Toros Taronatsi, and Hakob of Julfa working in the Armenian homeland, the Kingdom of Cilicia, and New Julfa.

'Armenia!' at The Metropolitan Museum of Art, NY
Gospel Book (fol. 19v), 1331. Monastery of Drazark, Cilicia. Illuminated by Sargis Pidzak; scribe: T'oros.
Armenian Mekhitarist Congregation, Library of San Lazzaro, Abbey, Venice, Italy
[Credit: Hrair Hawk Khatcherian and Lilit Khachatryan]
'Armenia!' at The Metropolitan Museum of Art, NY
Commentary on the Psalms (fol. 14v), 1449. Kaffa. "Matenadaran" Mesrop Mashtots';
Institute-Museum of Ancient Manuscripts, Yerevan, Armenia
[Credit: Hrair Hawk Khatcherian and Lilit Khachatryan]
'Armenia!' at The Metropolitan Museum of Art, NY
Alexander Romance, 16th century. Rome and unknown location. Illuminated by Zak'aria of Gnunik'
 and Hakob of Julfa; scribe: Zak'ariay of Gnunik'; "Matenadaran" Mesrop Mashtots'
Institute-Museum of Ancient Manuscripts, Yerevan, Armenia
[Credit: Hrair Hawk Khatcherian and Lilit Khachatryan]
More than half of the works on display are on loan from The Republic of Armenia with the support of The Ministry of Culture. Imposing liturgical works are coming from the Mother See of Holy Etchmiadzin, the primary site of the Armenian Church. In Yerevan, the “Matenadaran” Mesrop Masthots` Institute - Museum of Ancient Manuscripts is lending exceptional manuscripts, and the History Museum of Armenia is lending monumental church sculptures. The Holy See of Cilicia in Lebanon, the Armenian Patriarchate of Jerusalem, and the Armenian Mekhitarist Congregation in Venice are the other major Armenian religious communities lending exceptional works. Armenian collections lending select works are the Calouste Gulbenkian Museum in Portugal and in America, the Diocese of the Armenian Church (Eastern) (New York); the Armenian Museum of America (Boston); and the Alex and Marie Manoogian Museum (Southfield, Michigan). Additional works are coming from The Met and other American and European institutions.


Photographs of Armenian architecture and landscapes by noted Armenian-Canadian photographer Hrair Hawk Khatcherian and his assistant Lilit Khachatryan will provide context for the works in the exhibition, in the catalogue, and on the exhibition page of the website.

The exhibition runs until 13 January, 2019.

Source: Metropolitan Museum of Art [July 01, 2018]